1 10 77 https://albinwml.lib.miamioh.edu/files/original/f943a01e8385eddaa5ae6230ee990d7d.pdf e3c65b8e77de4c76c20364457a3d0a5b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource West Elementary Residencies Description An account of the resource Fairfield West Elementary Steel Band and Gamelan Residency Program Established in 1996 In 1996, an annual one-week residency was established at the West Elementary School in Fairfield, Ohio. The ongoing funding source for this residency is the Melinda Thoms Unklesbay Memorial Fund. Melinda Unklesbay, who died tragically in 1993, was the daughter of Paul and Marian Thoms. Paul Thoms, former music supervisor for Fairfield schools, established the memorial fund in 1994 to support annual concerts and music residencies at Fairfield West where Melinda taught general music. In first year of this program the Miami University Steel Band presented three student assembly programs that sparked the idea for the residency. The following year Chris Tanner and Bill Albin, faculty members of Miami University Department of Music, designed a one-week residency model geared to the fourth grade class. A select group of these students experience hands-on steel drum and gamelan training, while all fourth graders attend presentations throughout the residency week to learn more about the history and origins of these instruments. Each year the residency concludes with school concerts featuring the selected groups of fourth grade students. In 2004, the residency was expanded to include a Balinese gamelan ensemble comprised of ten students selected from the fourth grade class. The gamelan instruments, acquired in 2003 by Miami University, are transported along with the steel drum collection to West Elementary for use in the rehearsals and presentations throughout the residency week. The steel band and gamelan ensembles rehearse for one hour on each of the first four days of the residency, with a dress rehearsal prior to the concerts on the final day. Original compositions are written each year by Dr. Tanner and Dr. Albin. The compositions are designed to be learned in three, one-hour rehearsals. The teaching is accomplished entirely by rote. The gamelan pieces are typically adapted from traditional music collected in Bali by Dr. Albin. Examples of these gamelan pieces are included in this web-site archive. Ohio Music Educators Association Presentation January 28, 2011 The 2011 OMEA presentation featured students of Doug Bruestle, music specialist at West Elementary, 2004-2013. The presentation was co-designed by Miami Music Department Professors, Dr. Albin and Dr. Kay Edwards. The clinic focus was the teaching of a composition adapted by Dr. Albin, Bapand Selisir. Dr. Edwards adapted the pieces for the Orff-style keyboard instruments that are used in teaching general music in elementary grade schools throughout this region. The metallophones of the gamelan ensemble are similar to Orff instruments that many students already use in their general music classes. One difference that presents a coordination challenge is the muffling technique unique to gamelan, in which one of the performer’s hands is used to execute the melody and the other hand follows to muffle the previously struck note. Transcriptions of both versions of these compositions are included on this web site. Source A related resource from which the described resource is derived Relation A related resource <p>Cendrawasih for West 2014 - Score</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/65 "> <img border="0" alt="Cendrawasih for West 2014 - Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/4085a082d2fec8e938c903a6dac0d146.jpg" a="Cendrawasih for West 2014 - Score Image" /></a></p> <p>Nelayan for West 2016 - Score</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/66"> <img border="0" alt="Nelayan for West 2016 - Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/d5dc8959fc9962574a978df33735400a.jpg" a="Nelayan for West 2016 - Score Image" /></a></p> Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource West 2013 Mr. Bruestle - Score https://albinwml.lib.miamioh.edu/files/original/6e066f24eab29c89d6c0b492f501de5f.pdf 47375a85d21e422f14244e420a4fda07 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two Embellishments https://albinwml.lib.miamioh.edu/files/original/b84dd168018cb40da6746542c4faf53f.pdf ecb42bb3c412d438b34e30304ef77797 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan Description An account of the resource Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br /> <p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the  Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p> <p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p> <center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center> Subject The topic of the resource Composition Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan, trompong part Subject The topic of the resource Tabuh Telu Tabanan Description An account of the resource Demo #10 Score https://albinwml.lib.miamioh.edu/files/original/f511529d2999adea7ea3e52637520ef7.pdf 690ac43cf6404127a296f89d5350e94c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan Description An account of the resource Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br /> <p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the  Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p> <p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p> <center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center> Subject The topic of the resource Composition Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan, sangsih part Description An account of the resource Demo #3 Score Subject The topic of the resource Tabuh Telu Tabanan https://albinwml.lib.miamioh.edu/files/original/2f867e4aa8e52839297d965389598d9b.pdf 76eedbd8703d21ebfb12428d4d0cddfd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan Description An account of the resource Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br /> <p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the  Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p> <p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p> <center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center> Subject The topic of the resource Composition Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan, reyong parts Subject The topic of the resource Tabuh Telu Tabanan Description An account of the resource Demo #7 Score https://albinwml.lib.miamioh.edu/files/original/4a59d2532ffd7cfa77fd412f898b5512.pdf 26cfcc2d87e2ceb8c8ae1a5a0616fd3c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan Description An account of the resource Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br /> <p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the  Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p> <p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p> <center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center> Subject The topic of the resource Composition Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan, polos part Subject The topic of the resource Tabuh Telu Tabanan Description An account of the resource Demo #1 Score https://albinwml.lib.miamioh.edu/files/original/e9999e495c7fa23344eec2876bf095c7.pdf bf3a71ed88b744df652f496b2560abf4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan Description An account of the resource Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br /> <p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the  Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p> <p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p> <center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center> Subject The topic of the resource Composition Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan, polos & sangsih Subject The topic of the resource Tabuh Telu Tabanan Description An account of the resource Demo #4 Score https://albinwml.lib.miamioh.edu/files/original/312bc01fbade88cbf17d73607dbc250b.pdf 907ce83adc906572ccf4534a9ac7a375 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan Description An account of the resource Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br /> <p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the  Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p> <p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p> <center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center> Subject The topic of the resource Composition Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan, polos & kenyur parts Subject The topic of the resource Tabuh Telu Tabanan Description An account of the resource Demo #5 Score https://albinwml.lib.miamioh.edu/files/original/0dd282941b8b03d7d2942d6968e10f08.pdf 5f8cfd7a8780a37032db13275ed54b60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan Description An account of the resource Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br /> <p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the  Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p> <p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p> <center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center> Subject The topic of the resource Composition Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tabuh Telu Tabanan, gong & polos parts Subject The topic of the resource Tabuh Telu Tabanan Description An account of the resource Demo # 11 Score https://albinwml.lib.miamioh.edu/files/original/8ff805fc0f0c5802feda1f58c32da0ca.pdf 53c664749bf88bc261600b4b1b9d266a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Slow Melody Score