4 10 77 https://albinwml.lib.miamioh.edu/files/original/ea6550c77a7bffa7fed873c415a8887d.pdf e6af2e13357ccbd9d1e5acba719b5b5e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Slow Melody Score https://albinwml.lib.miamioh.edu/files/original/3c51c40033bd5f4ab980fd1331a2510e.pdf ecf968d56b4c9cadc2a9d2ba318055d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Music Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kebyar Score Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gong Part Description An account of the resource In this clip Made teaches an ensemble member the entire gong part. The various unpitched gongs serve a variety of functions within a Balinese gamelan ensemble. First, they define the tempo. The gongs also mark the segments of the beat cycle. An important Balinese musical scholar, Michael Tenzer, refers to this beat cycle as the colotomic structure. This structure provides guidance for musicians during a performance, it can also identify the specific segment of a composition, as well as guiding the choreography for the dancers. Nelayan is written in an 8 beat cycle, which is a common. The largest gong is played at the beginning of each cycle. The kempur, the middle-sized gong, is played on beats 3 and 7, and the kemong, the smallest, is played on beat 5. Made gives visual and vocal cues to the gong player during this clip. When cueing the largest gong, he will say “gong.” For the kempur, he uses the shorten phrase “pur.” The full score is written in a Western style time signature, 4/4; therefore, the 8 beat gong cycle of Nelayan sometimes spans 2, 4, or even 8 measures in 4/4 time. For a Balinese musician, the gong (marked G in the score) defines the beginning of each cycle. <iframe width="560" height="315" src="https://www.youtube.com/embed/a2ZaaMKL-hU" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Source A related resource from which the described resource is derived https://albinwml.lib.miamioh.edu/items/show/49 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Final Section Description An account of the resource In this clip Made teaches the final section, prior to the main melody, to the full ensemble. This occurs between bars 103 through 119. Also included in the clip is the kebyar section from bars 120 to 126. <iframe width="560" height="315" src="https://www.youtube.com/embed/PkJc_o_L888" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>KEBYAR SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/82"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/3c51c40033bd5f4ab980fd1331a2510e.jpg" a="" /></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gamelan Beleganjur Subject The topic of the resource Composition Description An account of the resource <iframe width="560" height="315" src="https://www.youtube.com/embed/jEaC0C2s3S0?rel=0" frameborder="0" allowfullscreen=""></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kebyar Transition Description An account of the resource In this clip Made teaches me the transition to the main melody. This section is characteristic of the changing tempos that occur in Balinese gamelan compositions. The section is called a kebyar. It occurs between bars 120 and 126 in the score. <iframe width="560" height="315" src="https://www.youtube.com/embed/MY-BxUgBEnk" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Full Ensemble Slower Section Description An account of the resource In this clip Made teaches the slower section, bars 88 to 103, to the full ensemble. <iframe width="560" height="315" src="https://www.youtube.com/embed/t-WgYvJXWVM" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Slow Melody Subject The topic of the resource In this clip Made demonstrates the melody that occurs in bars 88-103. This segment of the composition is in a slower tempo. Description An account of the resource <iframe width="560" height="315" src="https://www.youtube.com/embed/IBTSvMonm40" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>SLOW MELODY SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/81"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/ea6550c77a7bffa7fed873c415a8887d.jpg" a="" /></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Full Ensemble Description An account of the resource In this clip the full ensemble is learning the two interlocking kotekan parts. This particular segment occurs in bars 58-85 in the full score. <iframe width="560" height="315" src="https://www.youtube.com/embed/bzsMOrfZuPk" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kotekan Pattern Bars Description An account of the resource In the next two clips Made demonstrates an interlocking embellishment, which the Balinese refer to as a kotekan. This occurs three times between bars 8 and 67 in the full score. The first demonstration is the sangsih, off-beat part. The second demonstration combines the polos and sangsih. <iframe width="560" height="315" src="https://www.youtube.com/embed/2fPwEtLrOHI" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>KOTEKAN PATTERN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/80"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/237aa77c865f98a3a8f9850b15435460.jpg" a="" /></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nelayan Subject The topic of the resource Composition Description An account of the resource Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda. Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea. The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website. <iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>NELAYAN SCORE</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Embellishments Description An account of the resource <p><b>In the clip Made demonstrates one of two embellishment parts. These embellishments are played on the highest pitched instrument, the kantilan. Later in the clip Made and Doug Myers provide further explanation about the rhythmic variations used when performing the primary melody. This melody can vary when performed as a solo. When the melody is played within a full gamelan ensemble setting the rhythmic embellishments are omitted.</b><br /><br /></p> <iframe width="560" height="315" src="https://www.youtube.com/embed/rvPmcbtXGxo" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> <p><b>A second embellishment of the main melody is demonstrated in this clip. The sangsih part, the off the beat, is demonstrated first, followed by the combined polos and sangsih parts. Both embellishments are notated in my transcription. In the full score, this occurs periodically from bar 126 to the end of the composition. IN the full gamelan ensemble these parts are played on the Katinlan instrument.</b></p> <iframe width="560" height="315" src="https://www.youtube.com/embed/GBLCh2k4NyE" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe> Relation A related resource <p>TWO EMBELLISHMENTS</p> <p><a href="https://albinwml.lib.miamioh.edu/items/show/79"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/6e066f24eab29c89d6c0b492f501de5f.jpg" a="" /></a></p>