3
10
77
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tabuh Telu Tabanan
Description
An account of the resource
Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br />
<p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p>
<p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center>
Subject
The topic of the resource
Composition
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Demo Video #5
Subject
The topic of the resource
Tabuh Telu Tabanan
Description
An account of the resource
<span>In this clip Made performs the Kenyur, the most active supporting part. I am playing the primary melody. We are again using the reverse side of the mallets to reduce the volume and to assist with the recording fidelity. <br /><br />The kenyur part is similar to a counter-melody that embellishes the primary melody. The rhythm is at half the speed of the melody. <br /><br />This clip illustrates the rehearsal methods encountered in learning gamelan music from rote. <br /><br />Please see the notated score for further clarification.<br /></span>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/kDtNSLmLe_Q" frameborder="0" allowfullscreen=""></iframe></center>
Relation
A related resource
<p>Demo Score</p>
<p><a href="https://albinwml.lib.miamioh.edu/items/show/25"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/312bc01fbade88cbf17d73607dbc250b.jpg" /></a></p>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tabuh Telu Tabanan
Description
An account of the resource
Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br />
<p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p>
<p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center>
Subject
The topic of the resource
Composition
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Demo Video #6
Subject
The topic of the resource
Tabuh Telu Tabanan
Description
An account of the resource
<span>In this clip Made performs the Jublag part while I play the primary melody. We are again using the reverse side of the mallets to reduce the volume and to assist with the recording fidelity. The Jublag supports only the notes of the primary melody. The rhythm of the jublag part is half the speed of the kenyur part. <br /><br />The notated score illustrates the relationship of the three supporting parts to the primary melody.</span>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/s33d8op0XYM" frameborder="0" allowfullscreen=""></iframe></center>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tabuh Telu Tabanan
Description
An account of the resource
Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br />
<p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p>
<p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center>
Subject
The topic of the resource
Composition
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Demo Video #7
Subject
The topic of the resource
Tabuh Telu Tabanan
Description
An account of the resource
<span>In this clip Made rehearses a reyong section of the gamelan orchestra. The reyong is an instrument comprised of 12 tuned gongs. Four performers share the instrument. The parts create a series of interlocking rhythmic and melodic relationships that embellish the primary melody.</span>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/7fBQP-5Coz4" frameborder="0" allowfullscreen=""></iframe></center>
Relation
A related resource
<p>Demo Score</p>
<p><a href="https://albinwml.lib.miamioh.edu/items/show/26"> <img border="0" alt="Demo #7 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/2f867e4aa8e52839297d965389598d9b.jpg" /></a></p>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tabuh Telu Tabanan
Description
An account of the resource
Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br />
<p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p>
<p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center>
Subject
The topic of the resource
Composition
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Demo Video #8
Subject
The topic of the resource
Tabuh Telu Tabanan
Description
An account of the resource
<span>The interlocking rhythms and melodic parts performed by the four, reyong performers is determined by an underlying skeletal melody called the pekok. This melody is embellished by the jalan-jalan which is the basis for the reyong. <br /><br />In this clip Made performs the pekok melody and I perform the jalan-jalan embellishment. Refer to the notated manuscript for further clarification.</span>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/VqutPtV1Z88" frameborder="0" encrypted-media="" allowfullscreen=""></iframe></center>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tabuh Telu Tabanan
Description
An account of the resource
Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br />
<p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p>
<p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center>
Subject
The topic of the resource
Composition
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Demo Video #9
Subject
The topic of the resource
Tabuh Telu Tabanan
Description
An account of the resource
<span>In this clip Made demonstrates the various reyong patterns. I am playing the pekok, the skeletal melody. This is a typical rehearsal session. Refer to the notated manuscript for further clarification.</span>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/RkQEtKhPxPA" frameborder="0" allowfullscreen=""></iframe></center>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nelayan
Subject
The topic of the resource
Composition
Description
An account of the resource
Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda.
Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea.
The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website.
<iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe>
Relation
A related resource
<p>NELAYAN SCORE</p>
<p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Embellishments
Description
An account of the resource
<p><b>In the clip Made demonstrates one of two embellishment parts. These embellishments are played on the highest pitched instrument, the kantilan. Later in the clip Made and Doug Myers provide further explanation about the rhythmic variations used when performing the primary melody. This melody can vary when performed as a solo. When the melody is played within a full gamelan ensemble setting the rhythmic embellishments are omitted.</b><br /><br /></p>
<iframe width="560" height="315" src="https://www.youtube.com/embed/rvPmcbtXGxo" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe>
<p><b>A second embellishment of the main melody is demonstrated in this clip. The sangsih part, the off the beat, is demonstrated first, followed by the combined polos and sangsih parts. Both embellishments are notated in my transcription. In the full score, this occurs periodically from bar 126 to the end of the composition. IN the full gamelan ensemble these parts are played on the Katinlan instrument.</b></p>
<iframe width="560" height="315" src="https://www.youtube.com/embed/GBLCh2k4NyE" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe>
Relation
A related resource
<p>TWO EMBELLISHMENTS</p>
<p><a href="https://albinwml.lib.miamioh.edu/items/show/79"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/6e066f24eab29c89d6c0b492f501de5f.jpg" a="" /></a></p>
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https://albinwml.lib.miamioh.edu/files/original/290e646abcbf1d6fca6c3b735495f9ce.pdf
7478ce6385588103c4b40fc73a1d7c91
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nelayan
Subject
The topic of the resource
Composition
Description
An account of the resource
Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda.
Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea.
The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website.
<iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe>
Relation
A related resource
<p>NELAYAN SCORE</p>
<p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p>
Music Score
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Embellishments
-
https://albinwml.lib.miamioh.edu/files/original/f5fab7d8117323dbd9d6604e4f6237f4.pdf
7478ce6385588103c4b40fc73a1d7c91
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nelayan
Subject
The topic of the resource
Composition
Description
An account of the resource
Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda.
Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea.
The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website.
<iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe>
Relation
A related resource
<p>NELAYAN SCORE</p>
<p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p>
Music Score
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Embellishments Score
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nelayan
Subject
The topic of the resource
Composition
Description
An account of the resource
Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda.
Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea.
The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website.
<iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe>
Relation
A related resource
<p>NELAYAN SCORE</p>
<p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Final Section
Description
An account of the resource
In this clip Made teaches the final section, prior to the main melody, to the full ensemble. This occurs between bars 103 through 119. Also included in the clip is the kebyar section from bars 120 to 126.
<iframe width="560" height="315" src="https://www.youtube.com/embed/PkJc_o_L888" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe>
Relation
A related resource
<p>KEBYAR SCORE</p>
<p><a href="https://albinwml.lib.miamioh.edu/items/show/82"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/3c51c40033bd5f4ab980fd1331a2510e.jpg" a="" /></a></p>
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https://albinwml.lib.miamioh.edu/files/original/bdd80c5e6a15684067b7ac9571b099e9.pdf
359bd301f687430329d7deb8f2108474
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nelayan
Subject
The topic of the resource
Composition
Description
An account of the resource
Nelayan is another composition included in the Miami University Gamelan Library. This performance was recorded in Bali on March 25th 2010, and features the resident ensemble at the Yayasan Polosenni School, Douglas Myers, Director. This version of Nelayan was taught by Made Sukanda.
Tari Nelayan, the fisherman’s dance, is based on a traditional children’s melody that occurs only at the end of the composition. The dance and musical accompaniment originated in the mid-1960s and is among the few Balinese dance/theater pieces that focus on the sea.
The choreography depicts the various actions of a fisherman: searching for a fishing spot, casting a net, retrieving the catch, and returning home. The three dancers in this performance are: Putu Bagus, Kadek Yuni, and Komang Padmi. A notated musical score and examples are included on this website.
<iframe width="560" height="315" src="https://www.youtube.com/embed/D83623yJRfQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen=""></iframe>
Relation
A related resource
<p>NELAYAN SCORE</p>
<p><a href="https://albinwml.lib.miamioh.edu/items/show/77"> <img border="0" alt="Demo #1 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/40749c48e7cccfea3eabb2b3d77ef335.jpg" a="" /></a></p>
Music Score
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Final Section score sub-titled bars 120-126