2
10
77
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tabuh Telu Tabanan
Description
An account of the resource
Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br />
<p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p>
<p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center>
Subject
The topic of the resource
Composition
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Demo Video #11
Subject
The topic of the resource
Tabuh Telu Tabanan
Description
An account of the resource
<p>In this clip Made rehearses the resident gamelan ensemble at the Yayasan Polosenni School. The video footage focuses on the gongs. The gong instruments define the underlying rhythmic structure of the composition. Tabuh Telu Tabana is organized by the 8 beat cycle.</p>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/2UxOlOwxHP0" frameborder="0" allowfullscreen=""></iframe></center>
Relation
A related resource
<p>Demo Score</p>
<p><a href="https://albinwml.lib.miamioh.edu/items/show/28"> <img border="0" alt="Demo #10 Score Link" src="https://albinwml.lib.miamioh.edu/files/square_thumbnails/0dd282941b8b03d7d2942d6968e10f08.jpg" /></a></p>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur
Subject
The topic of the resource
Composition
Description
An account of the resource
<iframe width="560" height="315" src="https://www.youtube.com/embed/jEaC0C2s3S0?rel=0" frameborder="0" allowfullscreen=""></iframe>
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur - Local Group Clip 1
Subject
The topic of the resource
Gamelan Beleganjur
Description
An account of the resource
In this clip a Balinese group rehearses their version of gamelan beleganjur. It is similar to the version performed by the Yayasan Polosenni ensemble. One variation however, is the reyong melody.
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/hywp3C0bxyw" frameborder="0" allowfullscreen=""></iframe></center>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur
Subject
The topic of the resource
Composition
Description
An account of the resource
<iframe width="560" height="315" src="https://www.youtube.com/embed/jEaC0C2s3S0?rel=0" frameborder="0" allowfullscreen=""></iframe>
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur - Local Group Clip 2
Subject
The topic of the resource
Gamelan Beleganjur
Description
An account of the resource
In this clip the group rehearses the reyong part at a slower tempo
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/qQTuBuE_bHg" frameborder="0" allowfullscreen=""></iframe></center>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur
Subject
The topic of the resource
Composition
Description
An account of the resource
<iframe width="560" height="315" src="https://www.youtube.com/embed/jEaC0C2s3S0?rel=0" frameborder="0" allowfullscreen=""></iframe>
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur - Local Group Clip 3
Subject
The topic of the resource
Gamelan Beleganjur
Description
An account of the resource
At the beginning of this clip the focus is first on the reyong ensemble, the two drums, and the supporting gong parts. The skeletal melody is expanded in this beleganjur version to a three-note pattern, played by three performers. This supporting gong melody repeats throughout the piece, a characteristic that is similar in most beleganjur compositions. The camera then focuses on the cymbal section. The cymbal parts are comprised of interlocking rhythms similar to those used by the Yayasan Polosenni ensemble.
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/S-YcJJpJ5DU" frameborder="0" allowfullscreen=""></iframe></center>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur
Subject
The topic of the resource
Composition
Description
An account of the resource
<iframe width="560" height="315" src="https://www.youtube.com/embed/jEaC0C2s3S0?rel=0" frameborder="0" allowfullscreen=""></iframe>
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur Reyong & Two Note Skeletal Melody - Demo 1
Subject
The topic of the resource
Gamelan Beleganjur
Description
An account of the resource
In the first clip, Made plays the individual reyong parts. He uses the tromping instrument from the gamelan gong kebyar ensemble for the demonstration. The tromping; however, is never used in a gamelan beleganjur ensemble.
The typical beleganjur marching ensemble requires four performers for reyong part. Each performer carries one of the tuned reyong gongs. The reyong parts are organized into an 8 beat cycle that repeats frequently throughout the performance.
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/4jltNsdaTPY" frameborder="0" allowfullscreen=""></iframe></center>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur
Subject
The topic of the resource
Composition
Description
An account of the resource
<iframe width="560" height="315" src="https://www.youtube.com/embed/jEaC0C2s3S0?rel=0" frameborder="0" allowfullscreen=""></iframe>
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur Reyong & Two Note Skeletal Melody - Demo 2
Subject
The topic of the resource
Gamelan Beleganjur
Description
An account of the resource
In the second clip Made plays the two-note skeletal melody, He again uses the tromping for this demonstration. This part requires two performers each carrying a lower pitched gong. The skeletal melody repeats with no variation throughout the performance.
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/yJoHfhWnWTg" frameborder="0" allowfullscreen=""></iframe></center>
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur
Subject
The topic of the resource
Composition
Description
An account of the resource
<iframe width="560" height="315" src="https://www.youtube.com/embed/jEaC0C2s3S0?rel=0" frameborder="0" allowfullscreen=""></iframe>
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur - Miami Rehearsal
Description
An account of the resource
In this clip the Miami ensemble performs one a final rehearsal prior to the performance. The guest conductor is Professor I Ketut Asnawa director of the gamelan program at the University of Illinois. Professor Asnawa’s beleganjur composition is titled The Fire of Youth, Bara Kumara. A transcription of this composition is included in the notated examples on this website.
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/rpeL_qD_DNw" frameborder="0" allowfullscreen=""></iframe></center>
Subject
The topic of the resource
Gamelan Beleganjur
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur
Subject
The topic of the resource
Composition
Description
An account of the resource
<iframe width="560" height="315" src="https://www.youtube.com/embed/jEaC0C2s3S0?rel=0" frameborder="0" allowfullscreen=""></iframe>
Video
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gamelan Beleganjur - Miami Performance
Subject
The topic of the resource
Gamelan Beleganjur
Description
An account of the resource
The Miami University Gamelan Ensemble, video recording of the October 2010 Global Rhythms Performance, “The Fire of Youth” by I Ketut Asnawa.
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/099VRMMeeeI?rel=0&showinfo=0" frameborder="0" allowfullscreen=""></iframe></center>
-
https://albinwml.lib.miamioh.edu/files/original/4a59d2532ffd7cfa77fd412f898b5512.pdf
26cfcc2d87e2ceb8c8ae1a5a0616fd3c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tabuh Telu Tabanan
Description
An account of the resource
Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br />
<p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p>
<p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center>
Subject
The topic of the resource
Composition
Music Score
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tabuh Telu Tabanan, polos part
Subject
The topic of the resource
Tabuh Telu Tabanan
Description
An account of the resource
Demo #1 Score
-
https://albinwml.lib.miamioh.edu/files/original/f511529d2999adea7ea3e52637520ef7.pdf
690ac43cf6404127a296f89d5350e94c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tabuh Telu Tabanan
Description
An account of the resource
Tabuh Telu Tabanan is an instrumental piece for gamelan gong kebyar. It is performed by the resident ensemble at the Yayasan Polosenni School located in one of the important cultural centers on the island of Bali. Douglas Myers is the school director, Made Sukanda is music director for this performance. <br /><br />Tabuh Telu is a compositional form. The simplest English translation of this title is: “a music composition in three parts” (or sections). I encountered several different Tabuh Telu compositions during my studies at the Yayasan Polosenni School. It was also confusing to me to discover that a Tabuh Telu can be varied depending on the gamelan director or the village which may have it’s own version. Douglas Myers, director of the Yayasan Polosenni School, refers to the tabuh telu as a genre rather than one specific composition. This genre is commonly associated with religious or temple ceremonies rather than staged performances for tourists or for arts festivals.<br />
<p>Made Sukanda, music director of this project and Mr. Myers, provide this additional information about the genre. “There are many tabuh telu in Bali.” One published book of Balinese gamelan repertoire contains 15 individual tabuh telu compositions. As a way of identifying the Tabuh Telu that is also a part of the Miami University Gamelan Library, Made suggests the title, Tabuh Telu Tabanan.</p>
<p>Made Sukanda learned Tabuh Telu Tabanan from his grandfather, Made Lebah. Lebah brought the piece from the Tabanan region to his gamelan musicians in the Peliatan area in 1931. The piece is still played today in this region of Bali but probably not in Tabanan.</p>
<center><iframe width="560" height="315" src="https://www.youtube.com/embed/5TXAL3jIOCY" frameborder="0" allowfullscreen=""></iframe></center>
Subject
The topic of the resource
Composition
Music Score
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Tabuh Telu Tabanan, sangsih part
Description
An account of the resource
Demo #3 Score
Subject
The topic of the resource
Tabuh Telu Tabanan